Abstract expressionist artists are renegade modern artists who rebuke traditional art forms and encourage improvisation. In particular, action painting creates a sense of chaotic markings and raw emotion. While the strokes are often chaotic, they are deliberately controlled. Action painting was pioneered by Mark Rothko, who used only one or two colors to create his paintings. There are many types of action paintings, and some of them are highly regarded by art historians and critics alike.
Jackson Pollock is a great example of abstract expressionist art, an artist who eschewed representational imagery and used non-representational forms and colors. In 1936, he adapted Pablo Picasso’s style and began to use thick rhythmic coils of tarry black line. Pollock’s paintings often end in a dream-like state, suggesting the subconscious mind. His style of abstraction remained popular for the rest of his life, but it became more controversial as time went by.
In 1937, Pollock began receiving psychiatric treatment for alcoholism and was hospitalized for four months. During this time, his paintings became semi-abstract and heavily influenced by Jungian symbolism. He saw two Jungian psychoanalysts and used their own drawings as therapy. He also started selling his paintings to private collectors. By the end of the decade, over forty of his works had been purchased by private collectors.
If you’re wondering what makes a painting by Joan Mitchell so unique, you’re not alone. She is a well-known American artist who worked with many mediums, including painting, pastel, and printmaking. In addition to working in various media, she was also an active member of the New York School of artists in the 1950s. Mitchell’s art is known for its vibrant colors, evocative subject matter, and imaginative, ethereal imagery.
Although Mitchell was closely associated with the abstract expressionist movement in the United States, she spent most of her career living abroad. After living in Paris for nearly a decade, she moved permanently to the French countryside, where she continued to create large multipart canvases. In addition to her work in Paris, Mitchell also received three honorary doctorates. She died in 1992. A number of major retrospectives of her work have been held, and her work is still highly collected today.
Franz Kline was an American painter associated with the Abstract Expressionist movement of the 1940s and 1950s. Kline painted a variety of landscapes, still lifes, and still lifes with figures. His paintings are often associated with the movement’s central theme of emotion. While his works are often characterized by the emotional nature of the subject matter, they also contain elements of humor. This makes Franz Kline’s work particularly appealing.
Franz Kline began his artistic career as a landscape and city painter, before turning to abstract painting. His breakthrough came around 1949, when he began using a projector to enlarge the details of his paintings to mural size. Unlike Pollock, Kline’s paintings were not spontaneous, and many of his paintings were sketched out in detail on old phonebooks. However, his work was still considered a major breakthrough in the movement, and it has remained a staple of the Abstract Expressionist movement ever since.
Born in the Bronx, New York, Clement Greenberg was educated in public schools. He attended Syracuse University where he studied English Literature. After graduating, he went to New York to work as a salesman and manager in clothing stores. He married Edwina “Toady” Ewing in 1934, and in 1936, he joined the U.S. Customs Service in New York. From 1930 until 1937, he worked in various jobs, but eventually turned to art. He also married and had a son.
In 1957, Clement Greenberg visited Norman Rockwell, and in 1961, he painted Connoisseur, a painting of three steps. He spread a large canvas across the floor and painted two separate parts – the observer and the abstract expressionist. After finishing his painting, he merged the two paintings and used them as a collage. The result was an abstract expressionist painting that appeared on the cover of the Saturday Evening Post.